Cello Omnisphere 2
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We recorded very long organic textures, irregular electric cello tremolos, ukulele tremolos or glockenspiel random notes, to name a few. We processed all sounds and often combine them with sea waves or seagulls, to get original, moving and evolving sounds. We crafted every single sample carefully using creative effects and outboard. It was long process since we processed and curated hours of recordings just to select the best sounding textures and place them in Baltic Shimmers collection.
Publisher : PluginGuru Website : pluginguru Format : KONTAKT 5.7+ Quality : 24 bit 48 kHz stereo Description : This is a complete set of the library with 75 Multis, 138 patches and 243 samples of a beautiful, magnificent, magical cello in the Kontakt 5.7+ format.
SampleHero's 88 Solo Cello Horror SFX library is the virtual instrument of your nightmares! Ferocious, Terrifying and Unbelievably Crystal Clear! You'll hear every nuance of this stunning sounding cello! From the hair of the bow to the resonating of the acoustic chamber, you will feel like you're actually trapped inside this CELLO FROM HELL!
The Running Up That Hill lead synth and chords use the same Fairlight Cello 2 sound, only with a pitchbend scoop at the start of the sound. For this, I think Kate Bush programmed the pitchbend, then resampled the cello note with pitchbend back into the Fairlight, which is why the scoop-time is shorter for higher notes and longer for lower notes. Here are the chords played with the pitchbend sample:
Emotional Viola is the third member of the Emotional Strings series by Harmonic Subtones. This long anticipated and logical addition to the cello and violin, represents a very comprehensive virtual instrument that is easy to play, and of course offers numerous possibilities for individual customization.
Not only does the Emotional Viola harmonize excellently with the cello and the violin, it is also highly valued as a solo instrument with its direct and unadulterated sound, its variety of essential to extraordinary articulations as well as true legato and rebowing.
Spiccato, Rota Spicc, Pizzicato, Fliegender Aufstrich, Delicate Phrased, Delicate Sustain, Touch Sense Espressive, Espressivo Long, Progressive Vibrato Phrased, Progressive Vibrato Long, Expressive Brahms, Brahms Long, Arpeggio Shorts RR, Rota Vivid, Czardas Sfz, Sustain Vib XFDe, Sustain Non Vib XFDe, Kernig NV Shorts, Nordic Long, Nordic Variety, Fast Lines Late Vib, Fast Lines Swelling Vib, Tremolo XFDe, Trill HT, Trill WT, Flautando, Nordic, Morbid, Harmonics, Sulponticello XFDE, Sul C, Undulation Wait.
Like the cello and violin, the viola was recorded in the Mastermix Studio near Munich, in a wood-panelled room with high ceilings and the greatest possible distance from the wall. For the greatest possible flexibility of use, two Neumann microphones, type KM184 and U87, were used for close recording. In this way, the room was kept quite subtle, and you can then create your desired sound with your own effects. However, you can also use the integrated Convolution Reverb.
Re:Coil contains patches made from violins, cello, guitar, cuatro and many odd devices which contain strings as the source. This limit on soundsources creates a sofisticated sound to Re:Coil thats instant cinematic. 153554b96e
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